C / 中后段渐入佳境整体上主要是表演和剧本提着气这一套视听用得确实有些奇怪一到中景远景的时候镜头内的光影分布就要么扁平要么芜杂没层次感但是一部宗教片的“光”无论如何都太重要了吧相比之下各种闪回插叙的手持导演就用得得心应手得多但当下时间线上有时还是没必要地推拉且晃这也使得人物间的关键转折缺乏某些超验时刻来跨越铁道风云只能靠精湛的表演和台词直接填充(or糊弄)过去
An anti-dramatic, ascetic, monotone, minimalistic masterpiece of terseness and precision, bare of superfluous embellishment, devoid of any emotion or usual tropes, A Man Escaped easily remains the best of all prison escape movies and a pinnacle in French cinema.